the real Lotus flower / charcoal

real lotus

This morning I went back to the white Lotus I was trying to draw for 2 days and started again. That’s it in the center here. It closed up a little since yesterday, except one petal is drooping. It’s cloudy today,but it was sunny yesterday.

I watched Marco Polo on Netflix and saw a lot of Lotuses and Lotus imagery. It didn’t look like the one I was drawing. Then today, a lady from India stopped to talk to me. She told me where the Lotuses from her country are. They’re not on the path, so I overlooked them. They’re pink on the edges, very delicate pink lines going into  white with the lower petals a little greenish. She told me the petals are perfect architecture. I agreed and thanked her for the info. This is the Lotus people know and love.

She told me they don’t last long, but there are a lot of buds. The giant leaves look the same. The 2 flowers on the outside here are the pink Lotuses. The one on the left is all the way open and the one on the right is closer to traditional Lotuses that you see in art.

I still need more practice drawing Lotuses before I paint one. One nice thing about drawing in plein air is that people tell me things about the subject.

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Lotus Flower 2nd try / charcoal

What a difference a day makes!

What a difference a day makes!

It was much easier to draw the Lotus this morning than it was yesterday afternoon because I was standing in the shade! Now I know I have to do this painting in the morning.

The flower is tilted away from me in the morning. Also, it’s wide open today. I think it will look better this size on the canvas. ( close to life size)

A lady told me she heard they only bloom for one day. I guess they change so fast, one day they’re opening, the next day they’re in full bloom, and if I go back tomorrow the petals might be drooping.

You should see how the leaves blow around in the wind. They’re moving models! They wave like flags, even folding in half and unfolding again and again.  In the short time I was there doing this sketch the flower moved a lot too.

I can use this sketch for my painting but I’ll make some changes.

Lotus Flower / charcoal

lotus charcoal

This summer I want to do a painting of the Lotus flowers at Lewis Ginter Botanical Garden. This is my first sketch.

The Lotuses are surrounded by tiny Lily Pads and huge Lotus leaves on a background of blue violet water. I got the sketch in less than an hour, so it will be easy subject matter. This will be fun, but I’ll have to stand in the sun like when I painted the Pitcher Plants.

Sky High Flowers / oil

I used my artistic license-a lot.

I used my artistic license-a lot.

First, I eliminated a few trees that didn’t seem necessary  to paint. A tree on the left was blocking my view of the door, and a couple other trees were filling up the sky too much. Then I moved those big flower pots off the stage and put them in the grass there ( with the magic of art). The Daffodils aren’t really there, either. I faked in the shadows on the walk.

See the photos below stripping off the layers of paint all the way back to my underpainting, and photos of the scene as my camera sees it. You can compare my naked eye’s perspective to the camera’s perspective.sky high flowers glazes

This photo shows the background and wall finished with the tree and flower pots still in the underpainting stage. I did my underpainting in the complimentary colors. The flower pots are blue green in real life, so I underpainted them in orange. The tree is a warm color, so I underpainted it in cool gray.sky high flowers underpainting

This photo shows my underpainting in complimentary colors. The green grass is red at this stage, and the pink sidewalk is green. The blue sky is underpainted in a peachy colored gray. all on top of my violet tinted canvas.

If you compare these photos, you can see how I changed the color of the stone wall from warm to cool and back to warm again. That’s something you can do with oil paint if you use glazes, that you can’t do with another kind of paint, or process. all the layers and changes the painting goes through help to give the illusion of depth. The last stages of adding color are close to what I see in nature, and some of the complimentary colors still show through. It looks like the violet is showing through, to me. I don’t know if you can see it on your computer, but it’s under all the layers influencing everything. The violet is a hard color to kill. I like the way it shows through so many layers, but it’s not VIOLET anymore. Do you know what I mean?

I used Alvi’s Maroger Medium, and painted my glazes in the couch. If you want to paint like a master, (hey, why not try?) You neeeeeeed Maroger medium, and paint in the couch, like the old masters. Start with thin glazes and build up more opaque layers on top. Start in the background, and get that to look right with the middle ground before painting the foreground. If you want your light areas to come forward, you have to take the time to work on the shadows first.IMG_1666

The tree on the right is my Magnolia. The flowers were gone by the time I took this photo.  This is how the scene looks to the camera. If I painted from a photo, my painting wouldn’t look up close and personal. It would give the painting a cold distant feel.

Can you see in the photo, rings going around the bark of the Magnolia? That’s a detail I overlooked. I was talking to a gardener, and she told me the rings are made by Sapsuckers!! It looks like the rings belong there. The gardening lady told me the tree is still healthy.IMG_1657

Here’s a photo of a few flower pots on the stage. I put the Tulips and Daffodils into my painting at home on a rainy day, from memory.

Under the Weeping Cherry / oil

weeping cherry

Welcome to my secret hideout!

I’m not the only kid who likes this tree. I was sitting on a root mixing up my colors and saw a boy come over to the outside of the tree. He was probably around 8, I guess. He stuck his face in a big clump of flowers and shook his head around in it. A lot of petals fell and he watched them come down. Then he left and rejoined his group. I don’t know if he saw me through the branches, or not.

I thought it was pretty cool, the kid loves nature too.

This painting went through a lot of changes. You can see the process in the photos below, stripping off the layers all the way back to my underpainting, with some talk about the old school ways of  painting, which is glazes painted in the couch, with Maroger Medium.  I’ve looked at this painting for weeks now, and can’t decide about it. I need fresh eyes to tell me what you see. IMG_1641

This photo shows the white flowers painted on, with the tree and branches still in the underpainting phase. I had to finish the background before the tree bloomed, because the white flowers should be on top of the background colors. And then the branches are on top of the flowers.  I started weeks ago, because this tree blooms fast, then it’s over in a few days and covered with green leaves. So my background was dry before I put the white flower glazes on top of it.IMG_1639

This photo shows the background finished with some lines painted in to plan my branches coming down. I wanted the viewer to be able to see some of the background through the branches. That’s why I need fresh eyes to look at this. I know what’s in the background, because I painted it. Can the viewer see the steps, pink trees and Daffodils? This painting is all about the Weeping Cherry, though, so, I planned to cover a lot of  the background. IMG_1635

This is my underpainting in the complimentary colors of what I planned to use. It’s on a violet tinted canvas, which is influencing the colors. The part I wanted to be green grass, I underpainted in green’s complimentary color, which is red. I used a brownish red. And the ground under the tree, I wanted to make  a warm brown in the light and gray in the shadows, so I underpainted in with green. I underpainted the sky in a peachy orange. The violet is showing through. You can see where I scribbled some shadows under the tree with charcoal, but I wasn’t happy with that, at this stage, and changed my shadows later.

Greenhouse With Wildflowers / oil

greenhouse with wildflowers

This painting was on hold for months. I painted it in the spring and wanted to wait for the Wildflowers to bloom. All that time, I had it against the wall where I can see it, along with the other paintings in progress. And I wasn’t sure if this one was working out or not.

The thing I wasn’t sure about was those Evergreen trees in the foreground. I painted them a little too big. They covered too much of the hill and path. So today I decided to work on the hill again and put in the Wildflowers. Now I like it more because the viewer can see the way between the trees to the paved path. Also, now I have more space for flowers.

That’s one thing I like about oil paint. If there’s something you want to change, you can easily paint over the bad part, and no one knows, unless you tell them.

Rose Garden ’15 / oil

I faked in the flowers! hahahahhahahahahaha

I faked in the flowers! hahahahhahahahahaha

When I started this painting a few weeks ago, the roses were in their 1st bloom. The scent was intoxicating! I think the 1st bloom is the best because all the colors of roses bloom at the same time.

I have to work on the background 1st. Working from top to bottom on the canvas and from background to foreground, I want to be sure all the elements of the painting look right compared to each other part. so I’m building up layers of paint in glazes, correcting as I go. I can only stand to be out in the heat for a few hours in the morning, and when it rains, I have to wait for better weather.

Then the rain took out over half of the flowers before I could paint them, since the flowers are on top and needed to be painted last. DANG! Then some friendly gardeners pruned off the rest of the roses, leaving not many. One man told me they bloom every 4 to 6 weeks, so I decided to wait for more flowers and started working on another painting. But the next painting is also waiting for some different flowers to bloom, and I decided to mix my colors for the roses using the few flowers open this week. That’s how I faked in the roses.

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